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格式:FLAC
码率:192KHz/24bit
流派:古典
发行日期:2020-04-03
收录曲数:9
录音时长:
总大小:2.74GB
公司:2L
18世纪中期的欧洲正处于种音乐风格与曲式百花齐放的年代,意大利作曲家塔蒂尼(Giuseppe Tartini, 1692-1770)以表现主义为标签,充满装饰性的音乐曾一度引领当时的音乐风潮,其中小提琴作品作为他最擅长的体裁一直流传至今。塔蒂尼对自然与音乐朦胧的谱写与神学著作《理性时代》(The Age of Reason)中传递的思想不谋而合,一生留下的135首小提琴协奏曲与200多首奏鸣曲充满一种无法企及的神秘。专辑使用挪威传统的哈登角小提琴演奏,意在模仿那个年代意大利音乐中常常出现的风笛声,演奏者希望用这样的形式来致敬这位喜欢使用民间音乐为作曲动机的音乐家。
In the middle of the 18th century, Europe was in the era of various musical styles and forms. Giuseppe Tartini (1692-1770), an Italian composer, used Expressionism as his label. His decorative music once led the music trend at that time, and his violin works, as his best genre, have been popular until now. Tatini’s hazy composition of nature and music coincides with the ideas conveyed in the theological work the age of reason. His 135 Violin Concertos and more than 200 Sonatas left behind in his life are full of a kind of mystery that can not be reached. The album uses Norway’s traditional Cape harden violin performance to imitate the bagpipes that often appear in Italian music at that time. The performer hopes to use this form to pay tribute to the musician who likes to use folk music as his composing motivation.
曲目
Sonata in F major, opus 1 № 12, B.F4: I. Adagio ‘Lascia ch’io dica addio’ (Let me say farewell)
Sonata in F major, opus 1 № 12, B.F4: II. Allegro
Sonata in F major, opus 1 № 12, B.F4: II. Allegro
The Devil’s sonata, B.g5: I. Largo
The Devil’s sonata, B.g5: II. Allegro
The Devil’s sonata, B.g5: II. Allegro
Pastorale in A major, opus 1 № 13, B.A16: I. Grave
Pastorale in A major, opus 1 № 13, B.A16: II. Allegro
Pastorale in A major, opus 1 № 13, B.A16: III. Largo – Presto – Andante
hirescd
文件夹:2L - Tartini- secondo natura - Sigurd Imsen, Tormod Dalen, Hans Knut Sveen DXD
码:6k0d
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